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Alexander "Greek" Thomson
Over the years the family increased with the arrival of five more sons and two daughters until the birth of Alexander in 1817. In the following years the family was completed by the addition of two more sons and a daughter. It was the birth of Alexander, John’s seventeenth child, which makes this event significant, since he was to become an eminent figure in Balfron’s “hall of fame”. Their idyllic lifestyle was shattered by John’s sudden death in 1824 when Alexander was only seven years old. Most of the family moved to the outskirts of Glasgow. There, however, they were devastated by the deaths of the eldest daughter, three brothers and Alexander’s mother in just three years. William Thomson, who had stayed on in Balfron as a teacher, moved to Hangingshaw in Glasgow to look after his younger brothers and sisters.
Ill-health also dogged Alexander’s own family some of whom died in early childhood, probably due to the environmental conditions in Glasgow – the Empire’s Second City – at that time. His revolutionary plans for tenement-lined streets with glass ‘arcades’ to dispel the soot, grime and damp never got past the drawing board but the tenements he did build greatly improved the living conditions of the ordinary people of that time. Because of the unique style of his more grand works, Alexander became known as “Greek” Thomson and was responsible for many Glasgow landmarks including the United Free Presbyterian Churches at Caledonia Road and St Vincent Street. His architectural legacy to his native village is the South Manse – “Mansefield” – in Dunmore Street, a typically ‘Thomsonesque’ gravestone in Balfron churchyard and the debatable and untypical house and manse at High Honeyholm, east of the village.
As far as Balfron is concerned, one of Alexander Thomson’s designs believed to be ‘unexecuted’ is the basis for ambitious plans in the village.
A design for a church and manse (1860) forms the model for a designated ALEXANDER THOMSON CENTRE in his native village. Originally and Community Council project and recently adopted by Balfron Community Futures Development Trust, it is a more difficult venture than the Mackintosh equivalent at the House for An Artlover in Bellahouston Park, Glasgow, where interior blueprints and furniture designs were available and not merely the basic plans and elevations that exist in the church & manse plans (below). Perhaps a more apt concept – given Thomson’s innovative style for his time – would be to use the plans as a template for a piece of modern architecture using the shape and style of these plans as its atrium/frontage.
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